Lazy Mike is pleased to share its inclusion in Observer’s Art Brussels report. The article highlights the gallery’s solo booth by Willie Stewart, noting how his recent works—situated between painting and immersive display—created a distinct atmosphere through a symbolic vocabulary drawn from rural Americana and subcultural fragments.

Lazy Mike presents Unweaving the Rainbow, the first solo exhibition in Seoul by Polish artist Marcin Janusz, opening on April 11.Expanding painting through materials such as soil, sand, sugar, and resin, Janusz explores transformation, material cycles, and the fragility of life. The Artist Talk featured Marcin Janusz, joined by moderator Jaeyong Park, offering insights into the artist’s process and the exhibition.

Lazy Mike is pleased to share its feature in MK, highlighting the gallery’s international program and its participation in Art OnO 2026 in Seoul. The article introduces Lazy Mike’s approach to presenting artists across borders, emphasizing its role within Seoul’s expanding contemporary art scene.

Lazy Mike is pleased to share its inclusion in TAAD Magazine’s feature “Galleries That Make Me Look at Seoul Again”. The article highlights a new wave of galleries shaping Seoul’s contemporary art landscape, positioning Lazy Mike alongside international programs that reflect the city’s evolving cultural identity. Approaching Seoul from distinct perspectives, these galleries collectively point to a broader shift—one in which the city is increasingly recognized as a dynamic and globally engaged art hub.

It was a pleasure to witness the interest and presence that shaped the opening and Artist Talk for Daniel Lergon’s solo exhibition Auflösung. The talk featured artist Daniel Lergon, docent Bomi Chae, and interpreter Jaeyong Park, with Lergon discussing his working process and his ongoing exploration of how painting becomes visible through the relationship between light, material, and surface. Following the conversation, the gallery lights were turned off, allowing viewers to experience how the paintings shift in response to individual light and movement, creating a shared moment of perceptual change.

Lazy Mike is pleased to present Sleep Montage, a solo exhibition by Oper Bomse, opening on October 30, 2025. The exhibition unfolds fragments of emotions and memories captured between dreams and reality, visualized through painting and sculpture.

Lazy Mike is pleased to share its inclusion in ARTnews “Best Booths at Untitled Art, Houston.” The feature highlights Lazy Mike’s presentation of Taisiia Cherkasova, whose project adapted to unexpected circumstances, resulting in a series of intimate, postcard-sized works developed in response to an ongoing exchange shaped by personal and geopolitical conditions.

Lazy Mike is pleased to announce its relocation from Samcheong-dong to Cheongdam, Seoul. Marking an expansion of its space, the gallery opened its new location on September 3 with the exhibition Morning Haze. The exhibition features works by Minyoung Choi, Pieter Jennes, Marcin Janusz, Ralf Kokke, Hyerin Lee, Marta Leyva, Filip Mirazovic, Eunchae Moon, Ivan Seriy, and Eetu Sihvonen.

Lazy Mike is more than just a gallery — we also advise on acquisitions and curate international exhibitions.On June 12, 2025, we had the privilege of opening the first-ever exhibition of Erwin Wurm in Latvia - 'How it is' at Zuzeum Art Centre.

Lazy Mike is pleased to announce that Taisiia Cherkasova was featured in '13 ARTISTES À SUIVRE durant ART BRUSSELS 2025' by Camille Bardin at Projets Media.

It was a pleasure to witness the interest and presence that made the Artist Talk for Filip Mirazović’s solo exhibition 𝘉𝘭𝘢𝘤𝘬 𝘔𝘢𝘳𝘣𝘭𝘦, 𝘎𝘰𝘭𝘥 𝘝𝘦𝘪𝘯𝘴 a meaningful success.The talk was moderated by Soyoung Lee, with artist Filip Mirazović and curator Saša Bogojev offering thoughtful insights in an engaging conversation.

Art in Culture has featured the solo exhibition of Auseklis Baušķenieks held in January, 2025. The article captures the multifaceted nature of the artist-one who reflected and transcended the constraints of his time. We extend our gratitude to critic Hong Kyounghan for the insightful piece. The full article can be found in the March 2025 issue of Art in Culture.